Jessie Popes Attitude toward War in the Poem Whos For...

Jessie Pope was a journalist who wrote recruitment poems for the Daily Mail during the First World War. The poems she did write were positive propaganda poems for the war; her objective was to stimulate patriotism in the readers so that the men would join the forces. Pope wrote a persuasive poem where she compared war to a game. This is illustrated in the title Whos for the game? It shows that her attitude toward war was that it was a great big event that everyone should take part in one way or another. The title is a short and punchy question inviting anyone to answer. This gives the wrong impression of the war, it is misleading. Pope was ridiculed for doing this, but if she did write the†¦show more content†¦This is compared to a game like rugby, which was a popular sport amongst men at this time, whilst meaning who will rise to this duty with no fear, again appealing to masculine instinct and encouraging men to recruit. The final line: And who thinks hed rather sit tight? In other words she is asking who would rather be a coward and not do anything - the purpose of this line is to evoke quilt within the men so when it comes to making the decision the questions will linger in their minds. The quilt trip was not uncommon at this time and was a useful strategy of putting them in awkward positions felling embarrassed if they do choose not to fight but stay at home taking the easy route. This corresponds with poetry such as For the Fallen by Laurence Binyon. The second verse talks of patriotism, wholl give his country a hand in fighting against the enemy. This was known as xenophobic or jingoistic poetry - a very popular form of poetry at the time as posters such as the Kitchener appeal and other poets were alongside this. This is again is in reference to the cowardice of those who do not join in comparison with those willing to give their lives to their country. The cowards are the man with a seat in the stand that are compared with the men who want a turn to himself in the show. The reference to warShow MoreRelatedEssay Comparison of Three First World War Poems1162 Words   |  5 PagesFirst World War Poems The three poems that I will be studying in this essay are â€Å"Dulce Et Decorum Est† by Wilfred Owen, â€Å"Comrades: An Episode† by Robert Nichols and â€Å"Who’s For The Game?† by Jessie Pope. These poems are about the First World War and two of them seem to have a negative attitude criticising and downgrading the so-called spectacular experience of the First World War. In â€Å"Dulce Et Decorum Est† Wilfred Owen seems to mention good aspects of the War but comparesRead MoreComparing Jessie Owenss Whos for the Game and Wilfred Owens Dulce Est Decorum Est506 Words   |  3 PagesComparing Jessie Owenss Whos for the Game and Wilfred Owens Dulce Est Decorum Est In Jessie Popes Whos for the Game? the presentation of war is quite different to what you might expect. This poem is a recruiting poem with the aim of encouraging men to volunteer to join the forces. It was written at the beginning of the First World War and therefore the true disastrous effects of the war had not been experienced. Those left behind, women, children and exempt men, wereRead MoreThe Tradition Of War Poetry Essay2221 Words   |  9 Pages The Tradition Of War Poetry By comparing and contrasting a selection of war poems consider the ways in which attitudes to war have been explored and expressed. When considering poetry written post 1900 concentrate on a selection of poems written by Wilfred Owen. Humans have turned to poetry in many different instances as a way of expressing them selves, using the best combination of words, in the best order to express exactly how they are feeling at that moment. Read MoreA Comparison Of Differing Views/Attitudes To War With Reference To Regeneration, Strange Meeting, Selected Poetry and A Journeys End2323 Words   |  10 PagesDiffering Views/Attitudes To War With Reference To Regeneration, Strange Meeting, Selected Poetry and A Journeys End David Lloyd George once commented, in a highly patriotic sense upon ‘the making of a new Europe-a new world’, to what degree was this true is debatable to a great extent, after all the armistice signed on November 11th 1918, didn’t confirm victory but only to learn a horrific number of 9,000,000 million fatalities were caused due to world war 1. Surely enough

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A Divided World and a Divided Self Free Essays

Synge’s Playboy of the Western World is essentially a play of opposites. The tension between tradition and individualism is the active force that drives the characters toward the comic conflict. Shawn and Christy embody the masculine half of this equation while Pegeen Mike and the widow Quinn exemplify the feminine. We will write a custom essay sample on A Divided World and a Divided Self or any similar topic only for you Order Now Interestingly, the conflicts of the characters in isolated situations throw a brighter light on their motives than when secondary characters are present in the scene. While much of the play’s actual humor derives from the chorus-like responses of subordinate characters (notably when the pub patrons question Christy about his father’s supposed murder), the inner lives of the four main characters are explored in greater detail in direct dialogue exchanges. For this reason, it is important to consider Playboy of the Western World as a psychological as well as a social inquiry into the early 20th century Irish mind. The moral, social and familial institutions at work in the lives of the characters are inseparable from the behavior of the characters themselves and their behavior, in turn, affects the ways they perceive and challenge the institutions that establish a collective social identity. Synge’s satire, then, is fundamentally subversive. By undercutting a prevalent strain of Irish romanticism Synge effectively exposes the difference between the real and the ideal in Irish opinions about their own history and customs. The influence of religion is at the heart of Synge’s concern. Shawn’s reluctance to stay with Pegeen Mike overnight testifies to his fear of the priest’s, and by extension, the community’s censure. This is confirmed when he admits, â€Å"I’m afeard of Father Reilly; and what at all would the Holy Father and the Cardinals of Rome be saying if they heard I did the like of that?† Shawn is unable to take the passionate leap in terms of his affection for Pegeen Mike, being overly concerned with outward appearances. Though his presence at the pub overnight will not be breaching social etiquette in any way immediately revealed by the opinions of the pub house patrons, he worries about the possibility that some vague â€Å"other† will entertain harsh opinions. For this reason, Shawn is repeatedly unable to take a stand for what he purportedly desires—marriage to Pegeen Mike. While religion is key, Shawn also demonstrates a pronounced avoidance to action of any kind. He is fearful of what he perceives as Christy’s passionate and unpredictable nature. The threat of violence is abhorrent to Shawn. However, his pacifism is not the result of moral objection but rather a product of physical cowardice. Christy, in contrast, is not concerned with the price of taking extreme action. Despite his meek exterior, his story of parricide is told with earnest, and he behaves first in such a way that he seems shell shocked by committing the murder. Later, of course, this turns into something else, when he begins to celebrate his action as proof as his own manliness. This is an important turn in the play because he moves from a fear of the social judgment of his illegal and immoral action into a defiant assertion of his own individualism. This shift occurs because he senses the positive (and perverse) effect his reputation as a murder has on the members of the community in general and on Pegeen Mike in particular. Once Christy recognizes the advantages he has when perceived as â€Å"dangerous† he quickly adopts a romantic and celebratory posture. His pride in the matter is exactly what sets him up for his serio-comic fall when his father, the elder Mahon, appears miraculously â€Å"raised† from the dead. Another pair of characters defined by their opposing views is that of Pegeen Mike and the Widow Quin. Their pronounced division is related to domesticity. While the Widow Quin is perceived as an outsider and generally shunned by the community, she is more of a realist. This is evidenced when Mahon arrives and the widow does not reject Christy as a potential love interest. As an older and more mature woman, the Widow Quin is not as easily swayed by the romantic appeal Christy’s story of murder offers. She is more interested in his companionship and status as a help-mate. She is eminently practical. Pegeen Mike, however, is far different. For the twenty year old barmaid, the idea of a savage killer for a husband is alluring. Shawn’s proposal disgusts her when compared to that of Christy because he lacks the essential brutishness that defines her idea of an appropriate mate. Consider the hastiness of her words when she says, â€Å"Wouldn’t it be a bitter thing for a girl to go marrying the like of Shaneen, and he a middling kind of a scarecrow, with no savagery or fine words in him at all?† She is not concerned with the pragmatic reality of what it means to be married to a man who has defied the law. Her head is full of high romance and flattered by Christy’s sentimentally poetic use of language. How to cite A Divided World and a Divided Self, Papers